A SIMPLE KEY FOR THC CANDY COPYRIGHT 0 3 UNVEILED

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Notions of looking and voyeurism are addressed spatially and architecturally in “Very good For Me.” Within this collection, swooping lines develop a style of peephole influence that reveals Mundt in two various poses: adopting the posture of Toulouse-Lautrec’s model and tugging at her belly. This gesture, which seems in other paintings within

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